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By Anderson, Pamela; Dunlavey, Emma

Positive aspects over a decade of Emma Dunlavey's images of Pamela Anderson's lifestyles and travels world wide, in addition to textual content of Pamela's prose and poetry utilizing style and her personal handwriting to offer a behind-the-scenes examine Pamela Anderson's life.

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good points over a decade of Emma Dunlavey's images of Pamela Anderson's existence and travels world wide, in addition to textual content of Pamela's prose and poetry utilizing kind and her personal handwriting to offer a Read more...

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Positive factors over a decade of Emma Dunlavey's images of Pamela Anderson's existence and travels all over the world, in addition to textual content of Pamela's prose and poetry utilizing style and her personal handwriting to offer a behind-the-scenes examine Pamela Anderson's lifestyles. summary: good points over a decade of Emma Dunlavey's images of Pamela Anderson's existence and travels worldwide, in addition to textual content of Pamela's prose and poetry utilizing sort and her personal handwriting to provide a behind-the-scenes examine Pamela Anderson's lifestyles.

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I don’t want to hurt you. I see you’re a winner. I’m who’ll lose. And I’m not playing games. Just existing down the street. I only write when I have to. My thoughts are constant. A flow. More than you should know. They veer to here and there. They aren’t sensible. They are somehow appreciated though. I’ll stay my way for awhile. Not sure where to land. Circling the runway. I wonder if this makes sense. If I let you lead this. It will be a sexual fling like we’ve had before. I need provocation.

I hope you take it that way . . You don’t want me—I’m sure of it . . We might just kill each other . . But, thank you for your . . unique friendship . . your golden ear . . Thank you for not hurting me. Or squashing my spirit . . I couldn’t bear it . . I’ve been stupid too many times . . here I am . . again. Sabotage . . You have left your mark on me . . I’m grateful . . I won’t forget . . I shall be more realistic— I know some good men. Suitors aside . . I’m such a rebel . .

The director. Where is he. Call me. Bean s Smoldering . . r you . . I know it’s bad fo I wish, But, this is when I had a cigarette— up) ver tried—(light something I’ve ne ... some kind of relief y forty years ago— I wish it were Ital — er the Amphitheater The moon rising ov ause . . (clap) to tremendous appl y to care about sill em se t n’ do s an pe Euro smoking laws? anyway— We do what we want s— behind closed door xicollective comple r, te ac ar ch ue tr r Ou ties, es— childish activiti Attention deficit— patterns—genetics?

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